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18 Maret 2009
andah
Bahasa Inggris Kelas 10

tolong contoh descriptive dan narrative text dong... trims...

descriptive:

My Favourite Teacher

         

       Everyone has a favourite teacher, someone who we feel a special connection with. In primary school, my favourite teacher was Ms. Nuraini. I was not such a good pupil, but just looking at Ms. Nuraini made me feel that I was going to learn.

        Ms. Nuraini was 45 years old and rather short about 1.50 meters. Since I’m short too, I always feel a bit nervous with tall teacher who tower menacingly over me. It was reassuring to be around Ms. Nuraini. Also, I always enjoy the fragrance of the herbs that she grew in our classroom.

        On the top of her round head, Ms. Nuraini always wore a colorful headscarf with an intriguing design. This, plus her warm smile, brightened the lessons in her classroom. However, the best part of her face was her kind eyes that said to her students, ”I care deeply about you.”

        Ms. Nuraini usually wore bright long sleeve blouse that went well with her coffee-color skin. She did not wear much jewelry, just a simple Casio watch on her left hand and a ruby red ring on the ring finger of her right hand. The other ‘decoration’ on her hand came from types of ink from whiteboard markers and other sources.

        On most days, Ms. Nuraini wore loose-fitting pants. Finally, on her feet, she often had brown closed-toe shoes with just a slightly raised heel that made a peculiar ‘clip-clop’ sound as she walked. These low-heeled shoes made it easy for Ms. Nuraini to walk briskly around the classroom to help us when we were doing group activities.

         I can still feel her friendly touch on my shoulder as she stood listening carefully to our group or explaining something that none of us could figure out.

 narrative:

The Three Sheiks and Queen of Arabia

Maura, who liked to be thought of as the most beautiful and powerful queen of Arabia, had many suitors. One by one she discarded them, until her list was reduced to just threes sheiks, all equally young and handsome, rich and strong. It was very hard to decide who would be the best of them.
One evening, Maura disguised herself and went to the camp of the three sheiks, as they were about to have dinner, and asked them for something to eat.
The first gave her some leftover food; the second gave her some unappetizing camel’s tail; the third sheik, who was called Hakim, offered her some of the most tender and tasty meat. After dinner, the disguised queen left the sheiks’ camp.
The following day the queen invited the three sheiks to dinner at her palace. She ordered her servants to give each one exactly what they had given her the evening before.
Hakim, who received a plate of delicious meat, refused to eat it if the other two could not share it with him, and this act finally convinced Queen Maura that he was the man for her.
“Without question, Hakim is the most generous of you,” she announced her choice to the sheiks, “So, it is Hakim I will marry.”

 


Tri Raharjo, S.Pd

18 Maret 2009
a7x Boy
Bahasa Inggris Kelas 10

Pak/Bu saia mau nanya tentang present participle. Sebenernya apa itu definisi dari present participle..?? Mohon Bantuannya ^^

Participles

A participle is a verbal that is used as an adjective and most often ends in -ing or -ed. The term verbal indicates that a participle, like the other two kinds of verbals, is based on a verb and therefore expresses action or a state of being. However, since they function as adjectives, participles modify nouns or pronouns. There are two types of participles: present participles and past participles. Present participles end in -ing. Past participles end in -ed, -en, -d, -t, or -n, as in the words asked, eaten, saved, dealt, and seen.

  • The crying baby had a wet diaper.
  • Shaken, he walked away from the wrecked car.
  • The burning log fell off the fire.
  • Smiling, she hugged the panting dog.

A participial phrase is a group of words consisting of a participle and the modifier(s) and/or (pro)noun(s) or noun phrase(s) that function as the direct object(s), indirect object(s), or complement(s) of the action or state expressed in the participle, such as:

Removing his coat, Jack rushed to the river.

The participial phrase functions as an adjective modifying Jack.
Removing (participle)
his coat (direct object of action expressed in participle)

Delores noticed her cousin walking along the shoreline.

The participial phrase functions as an adjective modifying cousin.
walking (participle)
along the shoreline (prepositional phrase as adverb)

Children introduced to music early develop strong intellectual skills.

The participial phrase functions as an adjective modifying children.
introduced (to) (participle)
music (direct object of action expressed in participle)
early (adverb)

Having been a gymnast, Lynn knew the importance of exercise.

The participial phrase functions as an adjective modifying Lynn.
Having been (participle)
a gymnast (subject complement for Lynn, via state of being expressed in participle)

Placement: In order to prevent confusion, a participial phrase must be placed as close to the noun it modifies as possible, and the noun must be clearly stated.

  • Carrying a heavy pile of books, his foot caught on a step. *
  • Carrying a heavy pile of books, he caught his foot on a step.

In the first sentence there is no clear indication of who or what is performing the action expressed in the participle carrying. Certainly foot can't be logically understood to function in this way. This situation is an example of a dangling modifier error since the modifier (the participial phrase) is not modifying any specific noun in the sentence and is thus left "dangling." Since a person must be doing the carrying for the sentence to make sense, a noun or pronoun that refers to a person must be in the place immediately after the participial phrase, as in the second sentence.

Punctuation: When a participial phrase begins a sentence, a comma should be placed after the phrase.

  • Arriving at the store, I found that it was closed.
  • Washing and polishing the car, Frank developed sore muscles.

If the participle or participial phrase comes in the middle of a sentence, it should be set off with commas only if the information is not essential to the meaning of the sentence.

  • Sid, watching an old movie, drifted in and out of sleep.
  • The church, destroyed by a fire, was never rebuilt.

Note that if the participial phrase is essential to the meaning of the sentence, no commas should be used:

  • The student earning the highest grade point average will receive a special award.
  • The guy wearing the chicken costume is my cousin.

If a participial phrase comes at the end of a sentence, a comma usually precedes the phrase if it modifies an earlier word in the sentence but not if the phrase directly follows the word it modifies.

  • The local residents often saw Ken wandering through the streets.
    (The phrase modifies Ken, not residents.)
  • Tom nervously watched the woman, alarmed by her silence.
    (The phrase modifies Tom, not woman.)

Points to remember

  1. A participle is a verbal ending in -ing (present) or -ed, -en, -d, -t, or -n (past) that functions as an adjective, modifying a noun or pronoun.
  2. A participial phrase consists of a participle plus modifier(s), object(s), and/or complement(s).
  3. Participles and participial phrases must be placed as close to the nouns or pronouns they modify as possible, and those nouns or pronouns must be clearly stated.
  4. A participial phrase is set off with commas when it:
    • a) comes at the beginning of a sentence
    • b) interrupts a sentence as a nonessential element
    • c) comes at the end of a sentence and is separated from the word it modifies.

Tri Raharjo, S.Pd

18 Maret 2009
sari
Bahasa Inggris Kelas 11

Pak/Bu, saya bingung dengan pemakaian modal perfective. Tolong berikan penjelasannya secara detail beserta contoh-contohnya ya, Pak/Bu. Terutama saya bingung sekali dengan pemakaian should have dan ought to have. Apa beda keduanya? Dan juga kapan kita harus memakai would have. Terima kasih sebelumnya, Pak/Bu.

Pelajari dulu ini

Forming the past perfect tense

This tense is formed using two components: the verb HAVE (in the past tense), and the past participle form of a verb. With a regular verb the past participle ends with -ED (just like the simple past). Irregular verbs have a special past participle form that you have to learn. Here are the rules, using the regular verb "arrive" and the irregular verb "eat":
Subject HAVE Past Participle Contraction
I had arrived.
eaten.
I'd arrived.
I'd eaten.
You had arrived.
eaten.
You'd arrived.
You'd eaten.
He had arrived.
eaten.
He'd arrived.
He'd eaten.
She had arrived.
eaten.
She'd arrived.
She'd eaten.
It had arrived.
eaten.
It'd arrived.
It'd eaten.
We had arrived.
eaten.
We'd arrived.
We'd eaten.
They had arrived.
eaten.
Modals

What are the differences in use between must have, can’t have, should have and needn’t have?

must have
can't have
should have
needn't have

must have

When we use must have and the past participle (must have phoned), we are making a deduction about something that has happened. We are saying, ‘I feel sure that this is the case’:

If your keys aren’t in your pocket, you must have left them in the house.

can't have

We use can’t have and the past participle (can't have phoned) when we are making a deduction about something that didn’t happen in the past. That is, you believe, based on present evidence, that something didn’t happen (or hasn’t happened):

He’s not looking. He can’t have heard you. Shout again!

should have

Should have and the past participle (should have phoned) expresses the idea that something was desirable or needed, but did not take place:

I should have phoned my mum last night, but I forgot. (I needed to phone my Mum but I didn't phone her)

Shouldn’t have and the past participle (shouldn't have phoned) expresses the idea that something did take place but that it wasn’t desirable or needed:

You shouldn’t have eaten so much chocolate, you’ll be sick. (you ate a lot of chocolate and it wasn't a good idea)

needn't have

Needn’t have and the past participle (needn't have phoned) is opposite in meaning to should have. It indicates that something was done, but that it was not necessary. That is, the person who did something thought it was necessary:

A: You needn’t have cooked a meal this evening. I had lunch at The Chinese Dragon with Tom.

B: Well, why didn’t you phone and let me know?

Should have

We can use 'should have' to talk about past events that did not happen.

  • I should have let her know what was happening but I forgot.
  • He should have sent everybody a reminder by email.
  • They should have remembered that their guests don't eat pork.

We can also use 'should have' to speculate about events that may or may not have happened.

  • She should have got the letter this morning. I expect she'll give us a call about it later.
  • He should have arrived at his office by now. Let's try ringing him.
  • They should have all read that first email by this stage. It's time to send the next one.

We can use ' should not have' to speculate negatively about what may or may not have happened.

  • She shouldn't have left work yet. I'll call her office.
  • He shouldn't have boarded his plane yet. We can probably still get hold of him.
  • They shouldn't have sent the report off for printing yet. There is still time to make changes.

We can also use 'should not have' to regret past actions.

  • I shouldn't have shouted at you. I apologise.
  • We shouldn't have left the office so late. We should have anticipated this bad traffic.
  • They shouldn't have sacked him. He was the most creative person on their team.

should

Should is used to give advice and make recommendations and to talk about obligation, duty and what is expected to happen. Reference is to the present and the future. Should is similar to must but is not as strong as must:

  • You should always wear a helmet when you go out cycling on busy roads.

  • Once the pack is opened, the cooked meat inside should be consumed within three days.

  • Should I tell her that her son is playing truant and skipping school? ~ I think you should. She should know about it.

should and should have

Should combines with the perfect infinitive to form should have + past participle when we want to talk about past events that did not happen, but should have happened. We are talking about an expectation and referring back to past time. Compare the following:

Before Tom leaves for work, his wife advises him:
  • You should take your umbrella. It might rain. ~ No, I'll be all right. I shan't need it.

    But it did rain. When he arrives back home, his wife says:
  • What did I tell you? You should have taken your umbrella. Then you wouldn't have got wet.

    Reference to the present and future:
  • You should try and smoke less, Henry. Your health isn't very good and it's getting worse.

    Reference to the past:
  • I should have given up smoking years ago, Mary. If I had, I wouldn't be in such bad shape now.

would

If we want to talk about an unreal or unlikely situation that might arise now or in the future, we use a past tense in the if-clause and would + infinitive in the main clause. Compare the following and note that would is often abbreviated to 'd:

  • How would you manage, if I wasn't here to help you? ~ I'd manage somehow. I wouldn't bother to cook. I'd go out to eat or bring home a take-away. I'd ask your mother to help me with the washing and the ironing. I know she'd help me.

would have

If we want to refer to the past and make a statement about things that did not happen, we need to use had + past participle in the if clause and would have constructions in the main clause. Note in these sentences that we can use 'd as the abbreviation for both had in the if-clause and would in the main clause:

  • If he'd taken an umbrella, he wouldn't have got wet on the way home.

  • If he'd taken his umbrella, he'd have stayed dry.

could

Could can be used to ask for permission, to make a request and express ability in the past. Compare the following:

  • Could I borrow your black dress for the formal dinner tomorrow? ~ Of course you can!

  • Could you do me a favour and pick Pete up from the station? ~ Of course I will!

  • I could already swim by the time I was three. ~ Could you really? I couldn't swim until I was eight.

could have

As with would have, and should have, could have is used to talk about the past and refers to things that people could have done in the past, but didn't attempt to do or succeed in doing:

  • I could have gone to university, if I'd passed my exams.

  • If he'd trained harder, I'm sure he could have completed the swim.

Note the difference between would have and could have in the following two examples. Would have indicates certainty that he would have won if he had tried harder, could have indicates that it is a possibility. Might have is similar in meaning to could have, although the possibility is perhaps not quite as great:
  • If he'd tried a bit harder, he would have won the race.
  • If he'd tried a bit harder, he could have won the race.
  • If he'd tried a bit harder, he might have won the race.

should have / could have / wouldn't have

Note the way in which all three of these modals are combined in these exchanges which refer to a meeting that has just taken place:

  • Why did you come to the meeting? It didn't need both of us. You should have known that I would be there. ~ How could I have known you'd be there? I haven't spoken to you for a fortnight! ~ If I'd known you were intending to go, I certainly wouldn't have gone!
You will sometimes see would have written as would've, should have as should've and could have as could've.

If you would like more practice more please visit our Message Board in the You, Me and Us part of our website.

 

They'd arrived.
They'd eaten.


Tri Raharjo, S.Pd

17 Maret 2009
anjar
Bahasa Inggris Kelas 11

pak/bu tlong donk buatin q HORTATORY EXPOSITION jdulnya FASHION SHOW OUR IDENTITY. . Pliz bgt tlong scepatny d blz. . Tgz nie d kumpul hr jumat. .

saya yakin kamu bisa buat sendiri yang bagus dengan melihat contoh dari kami:

Space travel

Space travel should be stopped for many reasons. Firstly, it is totally unsafe as proven by the Colombia Space Shuttle disaster. Thousand people have been killed in accidents. Secondly, it costs billions and billions dollars everyday just to put fuel into rockets. Professor Smith from the Spend Money on People Space Association agrees that space travel is a waste of time and money. Further, space travel is altering the world’s weather pattern as evidenced by the record of high temperatures this summer in Cobar. Everyone knows that if God wanted us to fly in space we should have been born with space suits. Stop space before it destroys the earth.

 

 

Old Enough?

When a person old enough to be responsible for a crime? This question needs to be investigated because the current law is not good enough
The law at present protects children aged between ten years and four years from being punished for committing crimes. It is believed that children under fourteen years are too young to realize the seriousness of their crimes. Mr. Stephen Scarlett, head of the NSW Children’s Court, describes how clever young offenders use this defense, saying that they are too young to understand that they have broken the law. Mr. Scarlett, an expert on this subject, states that the age should be dropped from fourteen to twelve years. I agree with this.
Teenagers these days are far more sophisticated than those in the past. The law should recognize this. In a recent survey some people suggested that the age for being responsible for a crime should be dropped to eight years old. This, I feel, is too young. Fourteen, however, is too old. Is there anyone who believes that a fourteen-year-old does not know that it is against the law to steal or vandalize property? By the age of twelve, children are aware of what is legal and what is not.
Public pressure creates change. It is now up to the public to put pressure on the government to change the age at which a person may be held responsible for a crime from fourteen years to twelve years. Out of date laws have no place in a modern society, especially one that needs people to be responsible for their actions.


Tri Raharjo, S.Pd

16 Maret 2009
iya
Bahasa Inggris Kelas 12

tolong jelasin tentang question tag dong. tapi penjelasan nya dalam bahasa indonesia aja ya,,,,

Tag Questions

You speak English, don't you?
 
\"WSM
A "tag" is something small that we add to something larger. For example, the little piece of cloth added to a shirt showing size or washing instructions is a tag.

A tag question is a special construction in English. It is a statement followed by a mini-question. The whole sentence is a "tag question", and the mini-question at the end is called a "question tag".

We use tag questions at the end of statements to ask for confirmation. They mean something like: "Am I right?" or "Do you agree?" They are very common in English.

The basic structure is:

+
Positive statement,
-
negative tag?
Snow is white,isn't it?
-
Negative statement,
+
positive tag?
You don't like me,do you?

Look at these examples with positive statements:

positive statement [+]negative tag [-]notes:
subjectauxiliarymain verb auxiliarynotpersonal
pronoun
(same as subject)
 
Youarecoming, aren'tyou? 
Wehavefinished, haven'twe? 
Youdolikecoffee,don'tyou? 
You likecoffee,don'tyou?You (do) like...
Theywillhelp, won'tthey?won't = will not
Icancome, can'tI? 
Wemustgo, mustn'twe? 
Heshouldtryharder,shouldn'the? 
You areEnglish,aren'tyou?no auxiliary for main verb be present & past
John wasthere,wasn'the?

Look at these examples with negative statements:

negative statement [-]positive tag [+]
subjectauxiliary main verb  auxiliarypersonal
pronoun
(same as subject)
Itisn'training,  isit?
Wehaveneverseen that,havewe?
Youdon'tlike coffee,doyou?
Theywillnothelp,  willthey?
Theywon'treport us,willthey?
Icanneverdo it right,canI?
Wemustn'ttell her,mustwe?
Heshouldn'tdrive so fast,shouldhe?
You  aren'tEnglish,areyou?
John  wasnotthere,washe?

Some special cases:

I am right, aren't I?aren't I (not amn't I)
You have to go, don't you?you (do) have to go...
I have been answering, haven't I?use first auxiliary
Nothing came in the post, did it?treat statements with nothing, nobody etc like negative statements
Let's go, shall we?let's = let us
He'd better do it, hadn't he?he had better (no auxiliary)

Here are some mixed examples:

  • But you don't really love her, do you?
  • This will work, won't it?
  • Well, I couldn't help it, could I?
  • But you'll tell me if she calls, won't you?
  • We'd never have known, would we?
  • The weather's bad, isn't it?
  • You won't be late, will you?
  • Nobody knows, do they?

Notice that we often use tag questions to ask for information or help, starting with a negative statement. This is quite a friendly/polite way of making a request. For example, instead of saying "Where is the police station?" (not very polite), or "Do you know where the police station is?" (slightly more polite), we could say: "You wouldn't know where the police station is, would you?" Here are some more examples:

  • You don't know of any good jobs, do you?
  • You couldn't help me with my homework, could you?
  • You haven't got $10 to lend me, have you?

Intonation

We can change the meaning of a tag question with the musical pitch of our voice. With rising intonation, it sounds like a real question. But if our intonation falls, it sounds more like a statement that doesn't require a real answer:

 intonation 
You don't know where my wallet is,do you?/ risingreal question
It's a beatiful view,isn't it?\\ fallingnot a real question

Answers to tag questions

\"WSM
A question tag is the "mini-question" at the end. A tag question is the whole sentence.

How do we answer a tag question? Often, we just say Yes or No. Sometimes we may repeat the tag and reverse it (..., do they? Yes, they do). Be very careful about answering tag questions. In some languages, an oposite system of answering is used, and non-native English speakers sometimes answer in the wrong way. This can lead to a lot of confusion!

\"WSM
Answer a tag question according to the truth of the situation. Your answer reflects the real facts, not (necessarily) the question.

For example, everyone knows that snow is white. Look at these questions, and the correct answers:

tag questioncorrect answer  
Snow is white, isn't it?Yes (it is).the answer is the same in both cases - because snow IS WHITE!but notice the change of stress when the answerer does not agree with the questioner
Snow isn't white, is it?Yes it is!
Snow is black, isn't it?No it isn't!the answer is the same in both cases - because snow IS NOT BLACK!
Snow isn't black, is it?No (it isn't).

In some languages, people answer a question like "Snow isn't black, is it?" with "Yes" (meaning "Yes, I agree with you"). This is the wrong answer in English!

Here are some more examples, with correct answers:

  • The moon goes round the earth, doesn't it? Yes, it does.
  • The earth is bigger than the moon, isn't it? Yes.
  • The earth is bigger than the sun, isn't it? No, it isn't!
  • Asian people don't like rice, do they? Yes, they do!
  • Elephants live in Europe, don't they? No, they don't!
  • Men don't have babies, do they? No.
  • The English alphabet doesn't have 40 letters, does it? No, it doesn't.

Question tags with imperatives

Sometimes we use question tags with imperatives (invitations, orders), but the sentence remains an imperative and does not require a direct answer. We use won't for invitations. We use can, can't, will, would for orders.

 imperative + question tagnotes:
invitationTake a seat, won't you?polite
orderHelp me, can you?quite friendly
Help me, can't you?quite friendly (some irritation?)
Close the door, would you?quite polite
Do it now, will you?less polite
Don't forget, will you?with negative imperatives only will is possible

Same-way question tags

Although the basic structure of tag questions is positive-negative or negative-positive, it is sometime possible to use a positive-positive or negative-negative structure. We use same-way question tags to express interest, surprise, anger etc, and not to make real questions.

  • So you're having a baby, are you? That's wonderful!
  • She wants to marry him, does she? Some chance!
  • So you think that's amusing, do you? Think again.

Negative-negative tag questions usually sound rather hostile:

  • So you don't like my looks, don't you?

dah jelas kan


Operator

16 Maret 2009
ryan
Bahasa Inggris Kelas 8

tolong text narrative donk.. crita ttg apa aja.. kLo bisa 4 text.. tpi jgn sma kya yg tex yg udah ad... thx>_<

1. The Tiger and The MouseOne day, a tiger went out looking for something to eat.  He found a mouse going in the same direction, so the tiger caught the mouse and said to him, "you look very good to eat, but  I am very sorry that you are so small.  If I eat you, you will not even be enough for one mouthful."   When he heard that from the tiger, the mouse was very happy, and he asked the tiger, "Ha Nya Sua, I am a small animal.  If you eat me, I am not enough for you to get full.  Please let me go."   The tiger thought and thought and finally, he said to the mouse, "There are only two ways to handle you: one way is to eat you; the other is to release you."   The mouse pleaded again with the tiger to please let him go.  The tiger thought and thought, and finally he let the mouse go.     The next day, the tiger went out again and had very bad luck.  He was caught in a prepared trap.  Now, the mouse, who the tiger caught the day before, passed by and saw the tiger caught in the big net, he asked, "Tiger, what happened to you?"    The tiger looked up at the mouse and remembered that it was the same mouse he had caught and released the day before.  The tiger wanted to ask the mouse to help him, but he thought to himself, "I am the big king of the jungle.  If I ask him for help, I will lose face.  If  I don't ask him to help, I will die soon.  I want to ask him to help me, but I may lose face having such a little animal save my life.  On the other hand, isn't it better to lose my face in front of him than to die?"  Finally, the tiger asked the mouse to please help him out of his trouble.    The mouse hearing the tiger asking him for help thought, "Before, he wanted to eat me, and he was in control, but now I am in control.  I don't want to eat the tiger; I want to help him now."  So, the small mouse showed mercy and kindness toward the tiger.  He ran quickly to tell all his friends to come and help cut the ropes of the big net holding the tiger.     So, the tiger was freed from the trap.  He said first to the mouse and then to all his friends, "Thank you.  Thank you."    Finally, the mouse said to the tiger, "If you had eaten me before, I would have hoped that no one would release you from the trap."  The tiger was very humble, and he said to the mouse that he would always be grateful and never forget his help.

One day, a poor man wearing torn clothes walked past a rich man's house.  The rich man picked up a rock and threw it at the poor man's head.  The poor man couldn't say anything to the rich man.  He just picked up the rock the rich man had just thrown at him and put it in his pocket.  He thought that one day he would throw the rock back at the rich man.     Not very long after that, the rich man spent all of his money; he sold all of his treasure, and he became a poor man, poorer than the other poor man.    One day, the rich man wore torn clothing and walked past the poor man's house.  So, the poor man ran quickly into his house to get the rock the rich man had thrown at him before.  He planned to throw it back at the rich man, but he thought to himself, "That rich man, he is now much poorer than I am.  So, I will let him go.  I don't have to throw the rock back at him.   If I did, many villagers would say that I am not a good person."
        
2. Long ago on the top of Mount Kinabalu in Borneo, there lived a dragon. He owned a large and beautiful pearl. People believed that he controlled the weather with it.            The emperor of China heard this and wanted the pearl. He sent his two sons, Wee Ping and Wee San to Borneo to steal it. The princes, together with one hundred soldiers, set sail for Borneo in twelve sailing junks.            When they arrived in Borneo, The set out immediately to find the famous mountain. Their journey up the rugged slopes of Mount Kinabalu proved very difficult. The dragon guarded his cave very fiercely and killed many of their soldiers.            Then Wee San had a clever idea. He climbed a tall tree, so he could see the dragon’s cave. He noted what time the dragon left his cave to hunt for food and what time he returned  to it.            Next he ordered his men to make a fake pearl and a large kite. He waited until the dragon left his cave. Then he placed the fake pearl in a bag, slung it across his shoulder and flew up to the mountain-top on the kite. He exchanged the real pearl for the fake one and then his brother pulled his kite back to the ground.            The brothers quickly returned to their ships and set sail for China. They sailed safely home. The emperor was thrilled with the pearl and gave a big party to celebrate his sons’ return. 

3. Cinderella

Once upon a time there was a man who had three daughters. He was once ordered to go away to work, and said the them, "Since I am about making a journey, what do you want me to bring you when I return?" One asked for a handsome dress; the other, a fine hat and a beautiful shawl. He said to the youngest, "And you, Cinderella, what do you want?" They called her Cinderella because she always sat in the chimney corner. "You must buy me a little bird Verdeliò." "The simpleton! She does not know what to do with the bird! Instead of ordering a handsome dress, a fine shawl, she takes a bird. Who knows what she will do with it!" "Silence!" she says. "It pleases me." The father went, and on his return brought the dress, hat, and shawl for the two sisters, and the little bird for Cinderella. The father was employed at the court, and one day the king said to him, "I am going to give three balls; if you want to bring your daughters, do so; they will amuse themselves a little." "As you wish," he replies, "thanks!" and accepts. He went home and said, "What do you think, girls? His majesty wishes you to attend his ball." "There, you see, Cinderella, if you had only asked for a handsome dress! This evening we are going to the ball." She replied, "It matters nothing to me! You go; I am not coming." In the evening, when the time came, they adorned themselves, saying to Cinderella, "Come along, there will be room for you, too." "I don't want to go; you go; I don't want to." "But," said their father, "let us go, let us go! Dress and come along; let her stay." When they had gone, she went to the bird and said, "O Bird Verdeliò, make me more beautiful than I am!" She became clothed in a sea green dress, with so many diamonds that it blinded you to behold her. The bird made ready two purses of money, and said to her, "Take these two purses, enter your carriage, and away!" She set out for the ball, and left the bird Verdeliò at home. She entered the ballroom. Scarcely had the gentlemen seen this beautiful lady (she dazzled them on all sides), when the king, just think of it, began to dance with her the whole evening. After he had danced with her all the evening, his majesty stopped, and she stood by her sisters. While she was at her sisters' side, she drew out her handkerchief, and a bracelet fell out. "Oh, Signora," said the eldest sister, "you have dropped this." "Keep it for yourself," she said. "Oh, if Cinderella were only here, who knows what might not have happened to her?" The king had given orders that when this lady went away they should find out where she lived. After she had remained a little she left the ball. You can imagine whether the servants were on the lookout! She entered her carriage and away! She perceives that she is followed, takes the money and begins to throw it out of the window of the carriage. The greedy servants, I tell you, seeing all that money, thought no more of her, but stopped to pick up the money. She returned home and went upstairs. "O Bird Verdeliò, make me homelier than I am!" You ought to see how ugly, how horrid, she became, all ashes. When the sisters returned, they cried, "Cin-der-ella!" "Oh, leave her alone," said her father. "She is asleep now, leave her along!" But they went up and showed her the large and beautiful bracelet. "Do you see, you simpleton? You might have had it." "It matters nothing to me." Their father said, "Let us go to supper, you little geese." Let us return to the king, who was awaiting her servants, who had not the courage to appear, but kept away. He calls them. "How did the matter go?" The fall at his feet. "Thus and thus! She threw out so much money!" "Wretches, you are nothing else." he said. "Were you afraid of not being rewarded? Well! tomorrow evening, attention, under pain of death." The next evening the usual ball. The sisters say, "Will you come this evening, Cinderella?" "Oh," she says, "don't bother me! I don't want to go." Their father cries out to them, "How troublesome you are! Let her alone!" So they began to adorn themselves more handsomely than the former evening, and departed. "Good-bye, Cinderella!" When they had gone, Cinderella went to the bird and said, "Little Bird Verdeliò, make me more beautiful than I am!" Then she became clothed in sea green, embroidered with all the fish of the sea, mingled with diamonds more than you could believe. The bird said, "Take these two bags of sand, and when you are followed, throw it out, and so they will be blinded." She entered her carriage and set out for the ball. As soon as his majesty saw her he began to dance with her and danced as long as he could. After he had danced as long as he could (she did not grow weary, but he did), she placed herself near her sisters, drew out her handkerchief, and there fell out a beautiful necklace all made of coal. The second sister said, "Signora, you have dropped this." She replied, "Keep it for yourself." "If Cinderella were here, who knows what might not happen to her! Tomorrow she must come!" After a while she leaves the ball. The servants (just think, under pain of death!) were all on the alert, and followed her. She began to throw out all the sand, and they were blinded. She went home, dismounted, and went upstairs. "Little Bird Verdeliò, make me homelier than I am!" She became frightfully homely. When her sisters returned they began from below, "Cin-der-ella! if you only knew what that lady gave us!" "It matters nothing to me!" "Yes, yes! you would have had it!" The father says, "Let us go to supper and let her alone; you are really silly!" Let us return to his majesty, who was waiting for his servants to learn where she lived. Instead of that they were all brought back blinded, and had to be accompanied. "Rogue!" he exclaimed, "either this lady is some fairy or she must have some fairy who protects her." The next day the sisters began, "Cinderella, you must go this evening! Listen; it is the last evening; you must come." The father: "Oh let her alone! You are always teasing her!" Then they went away and began to prepare for the ball. When they were all prepared, they went to the ball with their father. When they had departed, Cinderella went to the bird: "Little Bird Verdeliò, make me more beautiful than I am!" Then she was dressed in all the colors of the heavens; all the comets, the stars, and moon on her dress, and the sun on her brow. She enters the ballroom. Who could look at her! For the sun alone they lower their eyes, and are all blinded. His majesty began to dance, but he could not look at her, because she dazzled him. He had already given orders to his servants to be on the lookout, under pain of death, not to go on foot, but to mount their horses that evening. After she had danced longer than on the previous evenings she placed herself by her father's side, drew out her handkerchief, and there fell out a snuffbox of gold, full of money. "Signora, you have dropped this snuffbox." "Keep it for yourself!" Imagine that man. He opens it and sees it full of money. What a joy! After she had remained a time she went home as usual. The servants followed her on horseback, quickly, at a distance from the carriage; but on horseback that was not much trouble. She perceived that she had not prepared anything to throw that evening. "Oh!" she cried. "What shall I do?" She left the carriage quickly, and in her haste lost one of her slippers. The servants picked it up, took the number of the house, and went away. Cinderella went upstairs and said, "Little Bird Verdeliò, make me more homely than I am!" The bird does not answer. After she had repeated it three or four times, it answered, "Rogue! I ought not to make you more homely, but ..." and she became homely and the bird continued, "What are you going to do now? You are discovered." She began to weep in earnest. When her sisters returned they cried, "Cin-der-ella!" You can imagine that she did not answer them this evening. "See what a beautiful snuffbox. If you had gone you might have had it." "I do not care! Go away!" Then their father called them to supper. Let us now turn to the servants who went back with the slipper and the number of the house. "Tomorrow," said his majesty, "as soon as it is day, go to that house, take a carriage, and bring that lady to the palace." The servants took the slipper and went away. The next morning they knocked at the door. Cinderella's father looked out and exclaimed, "Oh heavens! It is his majesty's carriage. What does it mean?" They open the door and the servants ascend. "What do you want of me?" asked the father. "How many daughters have you?" "Two." "Well, show them to us." The father made them come in there. "Sit down," they said to one of them. They tried the slipper on her; it was ten times too large for her. The other one sat down; it was too small for her. "But tell me, good man, have you no other daughters? Take care to tell the truth! because majesty wishes it, under pain of death!" "Gentlemen, there is another one, but I do not mention it. She is all in the ashes, the coals. If you should see her! I do not call her my daughter from shame." "We have not come for beauty, or for finery; we want to see the girl!" Her sisters began to call her, "Cin-der-ella!" but she did not answer. After a time she said, "What is the matter?" "You must come down! There are some gentlemen who wish to see you." "I don't want to come." "But you must come, you see!" "Very well; tell them I will come in a moment." She went to the little bird: "Ah little Bird Verdeliò, make me more beautiful than I am!" Then she was dressed as she had been the last evening, with the sun, and moon, and stars, and in addition, great chains all of gold everywhere about her. The bird said, "Take me away with you! Put me in your bosom!" She puts the bird in her bosom and begins to descend the stairs. "Do you hear her?" said the father. "Do you hear her? She is dragging with her the chains from the chimney corner. You can imagine how frightful she will look!" When she reached the last step, and they saw her, "Ah!" they exclaimed, and recognized the lady of the ball. You can imagine how her father and sisters were vexed. They made her sit down, and tried on the slipper, and it fitted her. Then they made her enter the carriage, and took her to his majesty, who recognized the lady of the other evenings. And you can imagine that, all in love as her was, he said to her, "Will you really be my wife?" You may believe she consents. She sends for her father and sisters, and makes them all come to the palace. They celebrate the marriage. Imagine what fine festivals were given at this wedding! The servants who had discovered where Cinderella lived were promoted to the highest positions in the palace as a reward.  4. NYI RORO KIDULThis is the story of the "Queen of the Southern Sea". Pajajaran kingdom was located in West Java from 1333 AD to 1630 AD and it was conquered by the Islamic kingdom of Mataram from Central Java. Pajajaran's greatest ruler was Prabu Siliwangi. He had a bride in one his harems and she bore him a very beautiful daughter. The girl was called Dewi Kadita. The beauty of Dewi Kadita and her mother made the other harems jealous, and they formed a conspiracy against them.

The harems used black magic to make the bodies of Dewi Kadita and her mother be filthy, ugly and disgusting. Prabu Siliwangi got angry at Dewi Kadita and her mother and forced them to get out of the palace, as they were thought to be bad luck for the kingdom. While they were wandering around the country, the mother died. Dewi Kadita was walking in deep sadness, until she reached the southern sea (the shore of Indian Ocean).

She sat above a stove-shaped rock and when she was sleeping, she had a vision that she should jump into the water to release herself from the curse. When she woke up, with no second thought, Dewi Kadita jumped into the sea. She once again became very beautiful, but then she realized that she was not a human anymore. She had turned into a supernatural form of life. She then ruled all creatures off the southern coast of Java Island, and was known as Nyi Roro Kidul (queen of the southern sea). As revenge on her father, she became the primary bride for Mataram kings (the rival of the Pajajaran kingdom).

The river of Bengawan Solo, which started from the mystical mountain of Merapi in Central Java and leads to the Indian Ocean, is said to be the tunnel used by Nyi Roro Kidul to access Java. In a green costume, she traps males who are walking on the shore. They are swallowed by the waves and are thought to be missing or dead but will actually become her guard or mate.
5. LORO JONGGRANGCandi Temple of Prambanan (also called the Temple of Loro Jonggrang) stands in Jogjakarta. It is actually not one temple, but a complex of temples, made around the 9th century. The complex is for the Shiva Hindu people and had about 200 temples. This is the myth and fact about the making of the temple.

Loro Jonggrang was a daughter of a giant king called Ratu Baka (King of Death), and she had a proposal from a young noble, Bandung Bandawasa. He was handsome, wealthy and powerful, but Loro Jonggrang didn't want to marry him. Ratu Baka gave a task to Bandung Bandawasa. He had to make 1000 temples in one night, to prepare his marriage to Loro Jonggrang. Bandung Bandawasa used his supernatural force to call the genies, and they made the temples in unbelieveable speed. Loro Jonggrang, seeing that the task was almost completed, ordered her servants to help her hit the rice punchers, and made the sound of cooking, so the genies thought morning had come and they ran away. Bandung Bandawasa was angry with her act. He already finished 999 temples and when he built the 1000th, he cursed Loro Jonggrang into it.

The largest temple in Prambanan complex is the Shiva temple, and inside the temple, there is a Durga (Goddess of Darkness, wife of Shiva, God of Destruction) believed as the body of Loro Jonggrang.

Historians said the myth is based on the true story. In 9th century, Rakai Patapan Pu Palar, a member of Sanjaya Dynasty in Central Java, started a rebellion againts the ruling Syailendra Dynasty. Scared by his threat, King Samaratungga had his daughter Pramodawarddhani marry Rakai Patapan's son, Rakai Pitapan. Rakai Pitapan then became the King of Central and East Java and started making Prambanan complex, which completed at 915 AD.
  
SUSANA ENDANG CAHYANI, S.Pd. M.Pd.

16 Maret 2009
anggi
Bahasa Inggris Kelas 9

pak/bu... tolong jelaskan tentang tenses selengkapnya dan penggunaannya pada recount,spoof,description dan report...trimakasih....^^

SPOOF

Spoof is like a recount, but the ending is usually funny.

The function is to retell an event with a humorous twist.

The generic structure of this text  is: orientation – event(s) – twists

This text uses past tense.


Example:
One day, two villagers went to
Jakarta. They went to the biggest mall and saw shiny silver walls that could open and move apart and back together. They were amazed when an old lady rolled in to the small room and the doors closed. A minute later, the doors opened and a young beautiful lady stepped out.The father said to his son \\"Go, get your mother now.\\"

 RECOUNT

Recount Tujuan komunikatif: Melaporkan peristiwa, kejadian atau kegiatan dengan tujuan memberitakan. Struktur teks: * Pendahuluan (orientasi), yaitu memberikan informasi tentang apa, siapa, di mana dan kapan; *  Laporan (rentetan) peristiwa, kegiatan yang terjadi, yang biasanya disampaikan secara berurut. Tenses yang dipakai adalah Simple Past Tense.

Contoh:

Our trip to the Blue Mountain

 On Friday we went to the Blue Mountains. We stayed at David and Della’s house. It has a big garden with lots of colourful flowers and a tennis court.

 On Saturday we saw the Three Sisters and went on the scenic railway. It was scary. Then, Mummy and I went shopping with Della. We went to some antique shops and I tried on some old hats.

 On Sunday we went on the Scenic Skyway and it rocked. We saw cockatoos having a shower.

  In the afternoon we went home. REPORT Report Tujuan Komunikatif: Menyampaikan informasi tentang sesuatu, apa adanya, sebagai hasil pengamatan sistematis atau analisis. Yang dideskripsikan dapat meliputi gajala alam, lingkungan, benda buatan manusia, atau gejala- gejala sosial. Deskripsi sebuah teks report dapat berupa simpulan umum misalnya tentang rumah sederhana dengan mendekripsikan ciri-ciri subyek tersebut sehingga layak dikategorikan rumah sederhana, dsb.
Tenses yang digunakan adalah 'Present Tense'.
Contoh Teks Report: 1. LibraryA library is a place which collects records of what people have thought and done.(Ini adalah General Classification).It preserves those records, and it ,makes them available to us, so that we can learn about many things. In the world of library, we can entertain ourselves, teach ourselves, and be inspired by the ideas that we might never have dreamed ot otherwise.(Ini adalah 'Description')
         A library has many sections. Commonly, a library has a reading room, a catalogue section, a newspaper and magazine section, books section, and a librarian desk which deals with book circulation. The books are classified based on the subjects, such as fiction, science, psychology, etc. They are arranged on the bookshelves.(Ini adalah 'Description').
 
DESCRIPTIVE

Tujuan Komunikatif :   Struktur Teks:nciri-ciri seseorang, suatu benda atau tempat tertentu.   * Pengenalan benda, orang atau sesuatu yang akan dideskripsikan. * Deskripsi: menggambarkan ciri-ciri benda tersebut,misalnya berasal dari mana, warnanya, ukurannya, kesukaannya dsb. Deskripsi ini hanya memberikan informasi mengenai benda atau orang tertentu yang sedang dibahas saja, misalnya deskripsi tentang ‘My Dog’. Ciri-ciri ‘anjing saya’ tersebut dapat berbeda dengan anjing yang lain.

Contoh: The Ambarawa Train Museum houses 21 antique locomotives plus two more, which are stored in the depot. These locomotives are no longer produced; even the factories that made them no longer exist. The main building of this museum is the defunct Ambarawa railway station which was built in 1873. the station covers 127,500 m2.The oldest in this museum is a locomotive made by Hartman Chemnitz. This locomotive, with a length of 8.58 m and a width of 2.45 m, began its operation in 1891. Using wood as fuel, the steam locomotive could run 50 km/h – its maximum speed.A special part of a visit to this museum is a trip by train from the Ambarawa Train Museum to the defunct Bedono train station. This package tour is called Railway Mountain Tour. Why is the trip so special? Because the participants will board an antique train and the train will travel on a 4.9 kilometer-cog railway, which is the only one in the world. BEBERAPA CATATAN TENTANG T E N S E SI. PRESENT   1. Simple Present Tense    POLA:
Subject + Verb 1 + ….They /   WeI   /   YouSubject + Verb s-es + ….     He  /   She  It
                 FUNGSI:               a. Untuk menyatakan suatu kebiasaan (habitual action) atau kegiatan yang terjadi berulang – ulang dan terus menerus.   Contoh : \"*\" The students go to school everyday.\"*\" She studies English twice a week.\"*\" I go to church on Sundays\"*\" We celebrate our independence day once in a year.     b. Untuk menyatakan kebenaran umum (general truth).         Contoh:\"*\" The sun rises in the east and sets down in the west.\"*\" The earth revolves round the sun.\"*\" The pineapple never grows up on a tree.      c. Digunakan dalam bahasa drama, komentar radio dan sejenisnya.When the curtain rises, Juliet is writing on her desk. Suddenly the window opens and a masked man enters.       KETERANGAN WAKTU:
  1. Every morning/day/week/month/year
  2. Once, twice, three times, four times, …
  3. Adverb of frequency : always, usually, sometimes, often, never, seldom.
      2. Present Continuous Tense      POLA :
Subyek + to be (is, am, are) + V-ing
      FUNGSI;
  1. Untuk menyatakan suatu kegiatan yang sedang berlangsung pada waktu diucapkan.
Contoh:\"*\" They are still playing at the moment.\"*\" She is reading a novel now.
  1. Untuk menyatakan kegiatan yang sedang berlangsung tetapi belum tentu sedang berlangsung ketika pernyataan diucapkan.
Contoh:\"*\"       I am learning French this year.\"*\"       Mr. Brown is teaching English.      KETERANGAN WAKTU:    Now, at the moment, this afternoon, this evening, right now, today.      Note : Ketika ada kata kerja seperti: Look!, Listen!, Watch!, Notice! ( Imperative), maka tenses                 nya Present Continuous.       Contoh:     *  Look! The man is climbing.                  *  Listen! The girls next door are singing my favourite song.  3. Present Perfect Tense    POLA:
Subject + Have  +  Verb 3 + ….                 Has
     FUNGSI :    a. Untuk menyatakan suatu perbuatan yang terjadi pada waktu lampau dan waktunya tidak tertentu.     Contoh :\"*\"       William Shakespeare has written many short stories.\"*\"       I have swept the floor. It looks clean now. 
  1. Untuk menyatakan peristiwa yang pernah dilakukan dan mungkin dilakukan lagi di waktu yang akan datang.
Contoh:\"*\"       My friends and I have gone to Bali.\"*\"       Shinta has visited her grand parents many times.       KETERANGAN WAKTU: Since, for, just (baru saja), already, yet, so far.  4. Present Perfect Continuous Tense    POLA :
Subject + Have  + Been + Verb-ing                  Has
     FUNGSI :Untuk menyatakan suatu kegiatan yang mulai dilakukan pada waktu lampau dan sampai sekarang masih berlangsung.Contoh:\"*\"       My sister has been studying English for three months.\"*\"       The students have been doing the test since 11 o’clock.      KETERANGAN WAKTU: For, since.   5. Simple Past Tense        POLA:
Subject + Verb 2 + Object + ….
        FUNGSI:Untuk menyatakan kegiatan yang terjadi pada waktu tertentu di masa lampau.Contoh:\"*\"       I met my music teacher yesterday.\"*\"       My mother bought a new carpet last Sunday.\"*\"       Rendy closed the window five minutes ago.\"*\"       The students presented their project work this morning.        KETERANGAN WAKTU: -          Last ….              -       …ago                                -       This afternoon-          Just now            -       This morning                     -       Yesterday  6. Past Continuous Tense         POLA:
Subject + was  + Verb- ing                 were
          FUNGSI:
  1. Untuk menggambarkan peristiwa yang sedang terjadi pada masa lampau.
 Contoh:\"*\"       I was studying at my friend’s house.\"*\"       My parents were chatting in the living room.
  1. Untuk menggambarkan suatu peristiwa yang sedang berlangsung pada waktu lampau, dimana peristiwa lain juga terjadi .
Contoh:\"*\"       When I was studying, someone knocked the door.\"*\"       When I was walking to school, I met Dian sastro. 7.  Past Perfect tense   POLA:
Subject + Had + Verb 3
      FUNGSI:Untuk menyatakan kegiatan yang terjadi sebelum kegiatan lain di waktu lampau muncul.Contoh:   \"*\"       The teachers went home after they had finished teaching.\"*\"       When I arrived Kridosono, my favourite artist had performed.     KETERANGAN WAKTU: when, after, before.8. Future Tense       POLA:
Subject + shall  + Verb 1 + …                will
        FUNGSI:
  1. Untuk menggambarkan suatu peristiwa yang akan terjadi.
Contoh:\"*\"       Bobby will come here tomorrow.\"*\"       I shall call my parents when I get home. 
  1. Untuk menyatakan sesuatu yang terjadi di masa mendatang yangbukan merupakan keinginan atau kehendak.
Contoh:\"*\"       Tomy will be fourteen years old next year.\"*\"       We shall die one day.       KETERANGAN WAKTU: Tomorrow, next week/month/year, the day after tomorrow. 

Future Perfect Tense

I will have sung

The future perfect tense is quite an easy tense to understand and use. The future perfect tense talks about the past in the future.

How do we make the Future Perfect Tense?

The structure of the future perfect tense is:

subject

+

auxiliary verb WILL

+

auxiliary verb HAVE

+

main verb

 

invariable

invariable

 

past participle

will

have

V3

Look at these example sentences in the future perfect tense:

subject

auxiliary verb

auxiliary verb

main verb

+

I

will

have

finished

by 10am.

+

You

will

have

forgotten

me by then.

-

She

will

not

have

gone

to school.

-

We

will

not

have

left.

?

Will

you

have

arrived?

?

Will

they

have

received

it?

In speaking with the future perfect tense, we often contract the subject and will. Sometimes, we contract the subject, will and have all together:

I will have

I'll have

I'll've

you will have

you'll have

you'll've

he will have
she will have
it will have

he'll have
she'll have
it'll have

he'll've
she'll've
it'll've

we will have

we'll have

we'll've

they will have

they'll have

they'll've

 

We sometimes use shall instead of will, especially for I and we.

SUSANA ENDANG CAHYANI, S.Pd. M.Pd.

15 Maret 2009
nora
Bahasa Inggris Kelas 11

bu/pak tlong donk buatin q HORATORY EXPOSITION topiknya FASHION SHOWS OUR IDENTITY. . q mhon banget bantuannya. . makasih sebelumnya

Watch your Kids While Watching TV
Television becomes one of the most important devices which takes place in almost houses. It can unite all members of the family as well as separate them. However, is it important to know what your kids are watching? The answer is, of course, absolutely "Yes" and that should be done by all parents. Television can expose things you have tried to protect the children from, especially violence, pornography, consumerism and so on.
Recently, a study demonstrated that spending too much time on watching TV during the day or at bedtime often cause bed-time disruption, stress, and short sleep duration.
Another research found that there is a significant relationship between the amount of time spent for watching television during adolescence and early adulthood, and the possibility of being aggressive.
Meanwhile, many studies have identified a relationship between kids who watch TV a lot and being inactive and overweight.
Considering some facts mentioning above, protect your children with the following tips:
  • Limit television viewing to one-two hours each day
  • Do not allow your children to have a TV set in their own bedrooms
  • Review the rating of TV shows which your children watch
  • Watch television with your children and discuss what is happening in the show

Notes on the Generic Structure of this Hortatory Exposition example
Firstly, we have to always remember that the social function of hortatory exposition text is driving the readers to act like the writer thought as stated in the text. Then the purpose of this hortatory is influencing and persuading the readers by presenting the supporting arguments. In many social activities, hortatory is applied for writing recommended thought, sales letter, advertising, speech campaign, and news advertorial.
Thesis: The writer's thought is presented as thesis which is proven with several arguments. In the first paragraph, the writer points his thought about the importance of accompanying children while they are watching TV show. It is important to protect the children from the bad influences of TV show.
Arguments: The next paragraphs show the writer arguments in supporting his thesis. It is supported by various researches that there are a great relationship between watching TV and the watcher's personality. One study describes that much time in watching TV can cause bed-time disruption. The others show the possibility of becoming an aggressive character because of watching television too much.
Recommendation: After stating the thesis and proving with various arguments, the text is completed with the writer's recommendation on how the parents should protect the children from the bed effect of watching TV.
Basically, both hortatory and analytical exposition have the similar position. Both take place as argumentative essays. Both show how important idea of the writer to be known. However the last paragraph of the essay usually make the difference from hortatory and analytical exposition. If it is a hortatory text, it will be ended with a strong recommendation while for analytical exposition, it will be closed with restatement of the writer's first paragraph.

 

Jul9

More Dust Bins is Cleaner; example of hortatory

To improve comfort and cleanliness at the school, there should be an increasing number of dust bins.

When we look at classroom, school corridors and schoolyard, there papers, mineral water cops, straws, and napkin everywhere. The condition of unseemliness really hinders learning and teaching environment. They can be filled out with water coming from the rain. This can be placed for mosquito to spread out.

Anyway I notice that most of the students have responsibilities for their school environment. They put their litter on the proper place but some of them are not diligent enough to find the dust bins. The numbers of the dust bins in the school are not enough. More dust bins should be put beside each step, outside of the classrooms and some along of the corridors. Probably one dust bin should be in every ten meters. So when students want to throw away their litters, they can find the dust bins easily.

When school is equipped with sufficient dust bins, students do not have problem of discomfort any more. So provide more dust bins and school will be very clean and become a very nice place to study.

 

Jun9

Where should be after High School?; a hortatory text

The National examination result will be publicly enounced in next short time. Euphoria will flood for those who get success. In the other hand, It will be sorry to hear that there are some of them do not succeed in their national final examination. For those who succeed soon will think to decide; where will they be after graduating high school? Actually it will be easy to decide for those has been arranged and thought earlier but for those have not planed yet, it will be quite confusing.

Continuing study or looking for work is the primary choice among them. When they think about continuing study, they will think hard about the time and cost. How long the higher study will last? And how high is about the cost. In the same way, when they think about straightly seeking job, what skill and competence they have got is a big matter of questioning. So, doing both choices in the same time is an alternative.

Continuing study as well as seeking job is possibly done but it will be hard for them. Conventionally studying in the university needs much time to spend especially in the first year. It is true because they have to do and adapt a lot of things in their new higher school. it will be very hard to looking for job. Therefore it should come to their mind of continuing studying at higher school from their own home. As result, the available time will be more flexible for them. Then it will be very possible to seek job and get the appropriate one. This type of studying is publicly known as distance learning.

As the alternative method of studying, besides the conventional studying which students and the lecturer have to meet in the fixed time and place regularly, distance learning provides possibility to grow better. Possibly working and studying surely will create high quality graduate. Distance learning should appear as a considerable choice for them.

 

Mar5

Millions from Property Market; a hortatory exposition text

Dear friend,
Are you tired of the daily grind? Sick of working all hours of the day for litle reward? Tired of having enough money to really enjoy yourself? Well, now there is a way out.
We can show the way to give up work. Sit back and make millions for yourself and your loved ones on property market.
Albert Smith felt just like you untill he read our leaflet. Now he drives a sport car arround the South of France and his wife has one of her own too.

Generic Structure Analyse
Thesis; there is a way out of financial problem.
Argument; Albert Smith is the proof.
Recommendation; Join property market !
Language Feature Analysis
Using abstract noun; reward
Using action verb; give up, make, etc
Using thinking verb; felt
Using simple present tense; are you tired?, he drives a sport car, etc

Feb19

Removing Lead from Petrol; a hortatory exposition text

In all the discussion over the removal of lead from petrol (and the atmosphere) there doesn't seem to have been any mention of the difference between driving in the city and the country.
While I realize my leaded petrol car is polluting the air wherever I drive, I feel that when you travel through the country, where you only see the another car every five to ten minutes, the problem is not as severe as when traffic is concentrated on city roads.
Those who want to penalize older, leaded petrol vehicles and their owners don't seem to appreciate that, in the country, there is no public transport to fall back upon and one's own vehicle is the only way to get about.
I feel that the country people, who often have to travel huge distances to the nearest town and who already spend a great deal of money on petrol, should be treated differently to the people who live in the city.

Generic Structure Analysis
Thesis; paragraph 1
Arguments 1; paragraph 2
Argument 2; paragraph 3
Recommendation; paragraph 4

Language Feature Analysis
Focusing on the writer: using the first personal pronoun "I"
Using abstract noun; discussion
Using action verb: treat,
Using thinking verb; think, seem
Using passive voice; should be treated differently
Using simple present tense; there doesn't seem…, there is no public transport.., etc

Dec31

What is Hortatory Exposition?

Hortatory Exposition Text

Definition of Hortatory Exposition
Hortatory exposition is a text which represent the attempt of the writer to have the addressee do something or act in certain way.

Generic Structure of Hortatory Exposition
1. Thesis
2. Arguments
3. Recommendation

Language Feature of Hortatory Exposition
1. Focusing on the writer
2. Using abstract noun; policy, advantage, etc
3. Using action verb
4. Using thinking verb
5. Using modal adverb; certainly, surely, etc
6. Using temporal connective; firstly, secondly, etc
7. Using evaluative words; important, valuable, trustworthy, etc
8. Using passive voice
9. Using simple present tense


Operator

15 Maret 2009
Bahasa Inggris Kelas 12

paragraf analytical exposition 2004

The importance of Reading

 

I personally think that reading is a very important activity in our life.  Why do I say so?  Firstly, by reading we can get a lot of knowledge about many things in the world such as Science, technology. Sports, arts, culture, etc written in either books, magazine, newspaper, etc.

Secondly, by reading we can get a lot of news and information about something happening in any parts of the world which can we see directly.

Another reason, reading can give us pleasure too.  When we are tired, we read books, newspaper or magazine on the entertainment coloumn such as comedy, short story, quiz, etc. To make us relaxed.

The last, reading can also take us to other parts of the world.  By reading a book about Irian Jaya we may feel we’re  really sitting in the jungles not at home in our rooms.

From the facts above, it’s obvious that everyone needs to read to get knowledge, information and also entertainment.  Or in summary we can say reading is truly important in our life.

 

 

Learning English

Learning English through music and songs can be very enjoyable. You can mix pleasure with learning when you listen to a song and exploit the song as a means to your English progress. Some underlying reason can be drawn to support the idea why we use songs in language learning.

Firstly, “the song stuck in my head” Phenomenon (the echoing in our minds of the last song we heard after leaving a restaurant, shopping malls, etc) can be both enjoyable and sometimes unnerving. This phenomenon also seems to reinforce the idea that songs work on our short-and-long term memory.

Secondly, songs in general also use simple conversational language, with a lot of repetition, which is just what many learners look for sample text. The fact that they are effective makes them many times more motivating than other text. Although usually simple, some songs can be quite complex syntactically, lexically and poetically, and can be analyzed in the same way as any other literary sample.  

Furthermore, song can be appropriated by listener for their own purpose. Most pop songs and probably many other types don’t have precise people, place or time reference.

In addition, songs are relaxing. They provide variety and fun, and encourage harmony within oneself and within one group. Little wonder they are important tools in sustaining culture, religion, patriotism and yeas, even revolution.

Last but not least, there are many learning activities we can do with songs such as studying grammar, practicing selective listening comprehension, translating songs, learning vocabulary, spelling and culture.

From the elaboration above, it can be concluded that learning through music and songs, learning English can be enjoyable and fun.

 


Operator

15 Maret 2009
Bahasa Inggris Kelas 12

aslmkum.. Pak,tolong berikan 12 contoh functional text. saya sangat membutuhkannya.. secepatnya.. sebelumnya terimakasih.. wassalam..

Genres

Social Function (Tujuan / Fungsi Sosial)

Generic Structure (Struktur)

Significant Lexicogrammatical Features (Ciri – ciri yang menonjol)

Narrative

To amuse, entertain, and to deal with actual or vicarious experiences in different ways. (Untuk menghibur pembaca melalui cerita).

a. Orientation: Sets the scene and introduces the participants. (Memperkenalkan tokoh dan setting).b. Complication : A crisis arises (Munculnya masalah).c. Resolution : the crisis is resolved (Terselesainya masalah).e. Evaluation : A stepping back to evaluate the plight. (Melangkah ke belakang untuk memikirkan nilai / makna sebuah peristiwa, bisa ada dan tidak)d. Reorientation : Optional (Bisa ada / atau tidak ada fungsinya menyimpulkan isi cerita )a. Focus on specific usually individualized participants. (Fokus pada tokoh – tokoh tertentu secara individu).b. The use of Simple Past (Penggunaan Tenses Masa Lampau)c. The use of temporal conjunction (Penggunaan kata penghubung yang menunjukkan waktu ex : After, before, when dll).d. The use of noun phrases (Penggunaan frasa kata benda yang kaya dengan adjective misalnya : long black hair, two red apples.

Descriptive

To describe a particular person, place or thing (Untuk menggambarkan orang, benda, atau tempat tertentu secara khusus)

a. Identification : Identifies phenomenon ( Mengidentifikasi / pengenalan fenomena / hal yang dideskripsikan).b. Description : Menggambarkan bagian, kualitas, maupun ciri – ciri)a. The Use of Simple Present Tense (Penggunaan Simple Present Tense). b. Focus on Specific Participant (Fokus kepada Hal / orang / tempat secara khusus)

Recount

To tell events for the purpose of informing or entertaining (Melaporkan peristiwa, kejadian atau kegiatandengan tujuan memberitakan atau menghibur)a. Orientation : Provides the setting and introduces the participants (yaitu memberikan informasi tentang apa, siapa, di mana dan kapan). b. Events : Tell what happened in what sequence ( Laporan urutan kegiatan yang biasanya disampaikan secara berurutan)c. Reorientation : Optional – closure of events. (biasanya berisi komentar pribadi / penilaian jika ada a. Use of past tense : Penggunaan waktu masa lampau) b. Focus on temporal sequence (Fokus pada urutan waktu dengan kata – kata penghubung yang menunjukkan waktu mis : when, after, then dsb). c. Noun dan noun phrases.

Genres

Social Function (Tujuan / Fungsi Sosial)

Generic Structure (Struktur)

Significant Lexicogrammatical Features (Ciri – ciri yang menonjol)

Report

To describe the way things are with reference to a range of natural, man – made and social phenomenon in our environment. (Menyampaikan informasi tentang sesuatu, apa adanya, sebagai hasil pengamatan. Yang dideskripsikan dapat meliputi gajala alam, lingkungan, benda buatan manusia, atau gejala-gejala sosial) a. General Classification: tells what the phenomenon under discussion is ( Pernyataan secara umum yang menjelaskan tentang objek yang dideskripsikan. Keterangan, dan klasifikasinya). b. Description : tells what phenomenon under discussion is like in terms of parts, qualities, habits, or behaviors (if living) or uses (if non-natural) (Memberikan penjelasan tentang hal yang dideskripsikan. kalau hal yang dideskripsikan merupakan benda hidup maka bisa dideskripsikan bgian – bagiannya, kualitasnya, kebiasaanya, atau perilakunya. Kalau benda mati maka yang dideskripsikan adalah kegunannya)a. Focus on generic participants : Fokus pada hal secara umum. b. Use of Present Tense (Unless extinct) (Pengunaan Present Tense kecuali kalau benda itu sudah punah.

Procedure

To describe how something is accomplished through a sequence of actions or steps (Menjelaskan bagaimana mencapai sebuah tujuan dengan memberikan serangkaian langkah / tindakkan) a. Goals (Tujuan yang hendak dicapai, biasanya ada dalam judulnya)b. Materials (Bahan – bahan, tidak semua jenis teks Prosedur ada). c. Steps A series of steps oriented to achieve the goal (Sejumlah langkah untuk mencapai tujuan. a. Use of simple present Tense often imperative (Penggunaan Simple Present Tense, sering kali merupakan kalimat perintah). b. Use mainly of temporal conjunction / connectives (penggunaan kata untuk mnerangkan waktu misalnya then, after that) c. Penggunaan action verbs (Cut, Mix.

Analytical Exposition

To persuade the reader or listener that something is the case. (Untuk meyakinkan dan mempengaruhi pembaca atau pendengar bahwa ada masalah yang perlu mendapat perhatian) a. Thesis Position: Introduces topics and indicates writer’s position. (Memberitahukan topic dan menunjukkan pendapat penulis). b. Arguments Points : Menjelaskan argument dan elaborasi (dijelaskan secara mendetailc. Reiteration : Restates writer position : Menjelaskan kembali posisi penulis atau penguatan kembali posisi penulis General nouns, misalnya car, pollution, leaded petrol car, dsb.· Abstract nouns, misalnya policy, government, dsb.· Technical verbs, misalnya species of animals, dsb.· Relating verbs, misalnya It is important, dsb.· Action verbs, misalnya She must save, dsb.· Thinking verbs, misalnya Many people believe, dsb· Modal verbs, misalnya we must preserve, dsb.

 

· Modal adverbs, misalnya certainly, we, dsb.

· Connectives, misalnya firstly, secondly,dsb.

· Bahasa evaluatif, misalnya important, valuable, trustworthy, dsb.

* Kalimat pasif

Hortatory Exposition

To persuade the reader that something should or should not be the case. (Meyakinkan kepada pembaca bahwa sesuatu seharusnya dilakukan atau tidak dilakukan) a. Thesis : announcement of issue concern (Menjelaskan tentang hal yang dibahas) b. Arguments : Reasons for concerns, leading to recommendation (Alasan yang digunakan yang menuju pada rekomendasi tentang apa yang seharusnya / tidak seharusnya dilakukan)c. Statement : statement of what ought or ought not to happen (Pernyataan tentang apa yang seharusnya atau tidak seharusnya terjadi / dilakukan)Terfokus ke pembicara / penulis yang mengangkat isu.· Abstract nouns, misalnya policy, government,dsb.· Technical verbs, misalnya species of animals, dsb.· Relating verbs, misalnya should be, doesn’t seem to be dsb.· Action verbs, misalnya We must act, dsb.· Thinking verbs, misalnya I believe, dsb· Modal verbs, misalnya we must preserve, dsb

 

· Modal adverbs, misalnya certainly, wem dsb.

· Connectives, misalnya firstly, secondly, dsb

· Simple present tense

· Kalimat pasif

· Bahasa evaluatif, misalnya important, valuable, trustworthy, dsb.

Review

To critique an art work, event for a public audience. It includes movies, TV shows, books, plays, operas, recordings, exhibitions, concerts, and ballets. (Melakukan kritik terhadap peristiwa atau karya seni untuk pembaca atau pendengar halayak ramai, misalnya film, pertunjukan, buku, dll.) a. Orientation: places the work in its general context often by comparing it with others of its kind (Menempatkan karya tersebut dalam konteks secara umum seringkali dengan membandingkan karya lain yang sejenis). b. Interpretive Recount: summarizes the plot or / and provides an account of how the reviewed rendition of the work came into being. (Memberikan ringkasan alur dan atau Menafsirkan karya itu, struktur ini biasa ada atau tidak ada dalam suatu review). c. Evaluation : Provides an evaluation of the work and / or its performance or production (Memberikan evaluasi tentang karya atau pementasannya).
  • Terfokus pada partisipan tertentu;
  • Menggunakan:
  • adjectives menunjukkan sikap, seperti bad, good;
  • klausa panjang dan kompleks;
  • metafor.

Discussion

To present (at least) two points of view about an issue (Membahas suatu maslah yang paling tidak dipandang dari dua sudut pandang) a. Issue : Statement (Pernyataan tentang hal yang dibahas) b. Arguments for and against or statemetn of differingv points of view (Argumen yang mendukung atau melawan pernyataan). c. Point d. Elaboration (Penjelasan) e. Conclusion or Recommendation (Ringkasan atau rekomendasi) a. general nouns untuk menyatakan kategori, misalnya uniforms, alcohol, dsb,b. relating verbs untuk memberi informasi tentang isu yang didiskusikan, misalnya smoking is harmful, dsb.c. thinking verbs untuk mengungkapkan pandangan pribadi penulis, misalnya feel, believe, hope, dsb.d. additives, contrastives dan causal connectives untuk menghubungkan argumen, misalnya similarly, on the hand, however, dsb.e. detailed noun groups untuk memberikan informasi secara padu, misalnya the dumping of unwanted kittens, dsb.f. modalities, seperti perhaps, must, should, should have been, could be, dsb.g. adverbials of maner, misalnya deliberately.

News Item

To inform readers, listeners, or viewers about events of the day which are considered newsworthy or important (memberitahukan kepada pembaca, pendengar, atau penonton tentang sebuah peristiwa atau kejadian yang penting). a. Newsworthy events: Penceritaan kembali tentang Ringkasan kejadian. b. Background Events : Menjelaskan apa yang terjadi, kepada siapa dan dalam kondisi seperti apa. c. Source : komentar – komentar oleh para saksi, pelaku, pejabat setempat, atau ahli dalam kejadian tersebut. a. Terfokus pada orang, binatang, benda tertentu;b. Menggunakan action verbs, misalnya eat, run;c. Menggunakan keterangan waktu dan tempat;d. Menggunakan past tense;e. Disusun sesuai dengan urutan kejadian

Explanation

Menerangkan proses yang berlangsung dalam pembentukkan atau pelaksanaan kegiatan yang berhubungan dengan gejala – gelaja / fenomena sosio budaya. a. A general statement : Pernyataan umum b. A sequenced explanation : Penjelasan secara brerurutan mengapa atau bagaimana sesuatu terjadi. a. general dan abstract nouns, misalnya word chopping, earthquakes;b. action verbs;c. simple present tense;d. passive voice;e. conjunctions of time dan cause;f. noun phrase, misalnya the large cloud;g. abstract nouns, misalnya the temperature;

 

h. adverbial phrases;

complex sentences;

bahasa teknis;


Operator

 

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